"Sure!" I said. He had used the generous length of fabric (about five yards) to wrap a sari at at least one Pagan festival and warned me that there were a few ahem scorch marks on it.
When I got it home and opened it up I found that in addition to the scorched areas, there were holes spaced along its length as if it had been stabbed twice while folded up. That made fitting the pattern pieces a bit of a challenge! Eventually I had to give up and buy a couple yards of very similar muslin to finish the piece. I can still tell the difference, but I don't think many would notice unless it was pointed out.I started with my same basic caftan / tunic pattern from McCalls. This time I added side-seam pockets, buttonholes up both sides of the front opening for a lace closure, made an optional belt and used the decorative stitches from my sewing machine.
Lessons learned this time out were:
- do your decorative stitching before you start assembling the garment
- even if your pattern calls for leaving raw edges on the inside find a way to finish them
- make double-extra sure that your pockets are in the right place for your hands
Even with the decorative stitch issues that give the caftan the rustic quality I still think it's really cool. I hope Lingoman agrees!
I've wanted to write about my current sewing project, but since it's a birthday present for Lingoman, I have had to wait until today! After two times through the same shirt pattern I felt like I was ready for something new. Lingoman has wanted a kurta that was cut and sized for a North American person for a long time, and his birthday was coming up, and he just gave me a sewing machine: all indicators were pointing in the same direction! Get stitching a Sheumais!
And for that authentic Celtic touch, I added sparkly silver Celtic knotwork trim. Hee hee. The fabric was pretty challenging to work with, and I don't plan on buying that materials quite that delicate in the future, but I'm still reasonably happy with the end product.
